GEORGE LESLIE HUNTER (SCOTTISH 1879-1931) THE POOL Signed, oil on canvas 63.5cm x 76cm (25in x 30in)

GEORGE LESLIE HUNTER (SCOTTISH 1879-1931) THE POOL Signed, oil on canvas 63.5cm x 76cm (25in x 30in) Provenance:Alex Reid & Lefevre Ltd, Glasgow T.R.Craig Esq C.B.E. and thence by descent Note: The shores of Loch Lomond became an important destination for George Leslie Hunter from the summer of 1924. At this point he was looking for a subject that would challenge him, and allow for the exploration of new approaches and techniques in his painting, and he decided to try Loch Lomond. This was to be a very successful decision, with the artist finding the challenge he needed in the ever-changing foliage and reflections of the loch-side. His works in this year often feature the houseboats on the loch, which so captivated Hunter, with their bright colours and strong, block-y shapes contrasting with the endless nature around them. It was a watershed moment for the artist. In 1931, Hunter made the decision to return to Loch Lomond, renting a houseboat there for the summer. He was happily in love with the much younger Marnie Scrafton, who was a regular visitor, and from this happy place he was able to produce some wonderfully lush paintings. The Pool presumably dates from this summer, with its striking similarity to the tones and composition of other works known to be created in the same year. Unusually for Hunter, it does not feature any house-boats or boats, instead he chooses to focus on the fresh vitality of the foliage and the dappled light it creates. The stepped perspective draws the viewer deep into the cool shelter of the trees, a quiet glade, away from any holiday hustle-and-bustle taking place at the edge of the loch. A riot of fresh colours, The Pool is a joyful evocation of a Scottish summer day - beautiful, light and fresh.